Eyes Wide Shut

Categories: 1999 films | Cult films | Drama films | Thriller films | Mystery films | Controversial films | Films based on novels | Films directed by Stanley Kubrick

Eyes Wide Shut (1999) is a film by Stanley Kubrick based on the novella Traumnovelle by Arthur Schnitzler. The film stars Tom Cruise and Nicole Kidman, who were a real-life husband and wife at the time of the production. Kubrick died shortly after completing the editing of the film. After a long shooting schedule, the film was released to a mixed critical reaction.

Synopsis

The storyline follows the surreal, possibly imagined, sexual adventures and misadventures of Dr. Bill Harford (Cruise), who is in shock after his wife, Alice, (Kidman) reveals that she has considered an affair, and which culminates in his admittance to a bizarre orgy held in a mysterious mansion near New York City. The orgy sequence, which includes elements of Hieros Gamos symbolism, contains some of the most explicit portrayals of consensual sex in mainstream cinema. Some have also perceived Illuminati symbolism in the movie.

Interpretations

The film's puzzling narrative has inspired several interpretations, many of which see the film as a psychological allegory rather than as a straightforward drama.

Eyes Wide Shut and Schnitzler's Dream Story

Eyes Wide Shut is a fairly faithful adaptation of Arthur Schnitzler's Traumnovelle (or Dream Story), but it leaves out one important piece of information that might have served as the key to understanding it. In Schnitzler's novella, Fridolin, the Bill Harford equivalent, is told by his wife that she first began to fantasize about infidelity while they were on holiday in Denmark. When Fridolin goes on his strange journey and arrives at the masked ball, the password is "Denmark". This could very well indicate that Fridolin's journey is a dream and is not meant to be interpreted literally, but Schnitzler leaves such a conclusion unresolved.

In Eyes Wide Shut, the password is changed to "Fidelio", a word that hints at the theme of marital fidelty, but does not indicate clearly that Bill's journey is a dream. ("Fidelio" is also the name of Beethoven's only opera which, appropriately, has matrimonial fidelity as its subject matter. See A Clockwork Orange for more allusions to Beethoven by Kubrick.) Reading the journey as a dream helps to justify the story's more bizarre events, in particular the fact that every woman Bill meets falls in love with him; it enables us to interpret the journey as a dream of wish-fulfillment sparked by Bill's jealousy of Alice's fantasies. However, Kubrick seems to have preferred to leave this interpretation ambiguous rather than concrete; in addition, if Bill is dreaming, the script makes it unclear where and when the dream begins and ends. Furthermore, Kubrick introduced Alice's dream, in which she too appears to have gone on an even more strange and allegorical journey, one that makes Bill's journey seem relatively realistic.

Kubrick's downplaying of the dreamlike nature of Bill's journey made the film more open to interpretation, but also meant that more literal-minded viewers did not recognize its story as an allegory, finding it merely silly and implausible.

Jungian interpretation

Kubrick's films often deal with the subconscious and the impulses of the Id, as well as sometimes featuring what he referred to as archetypes (a well-known example being the monolith in 2001: A Space Odyssey). When the savage impulses of "the Shadow" (from the psychological theories of Carl Jung), are not integrated with the conscious life, madness results. Kubrick said that he was interested profoundly in the Shadow (the archetype of the savage) and how it emerges despite civilization. In Eyes Wide Shut, Alice describes her fantasy affair to Bill after the couple have been to a party where Bill had treated a prostitute for an overdose. Bill's old friend Nick (Todd Field) tells him about a sexual underworld where men of absolute power have an absolute access to women, and Bill decides to explore this world. He moves into the circle of the Shadow, and he sees the ruthless, remorseless, and violent nature of power as sex and sex as power. He views the naked masculinity of the subconscious through a mask. He returns to his wife, confessing all (although he was never adulterous). At the end of the movie, she seems to forgive him and says that the two must immediately go home and "fuck". In a sense, the couple have integrated their psyches. They have both seen and experienced their Shadows and decided to go on.

Stylistic features

Cinematography and mise-en-scène

Kubrick adopted several stylistic conventions in Eyes Wide Shut. As with Barry Lyndon, much of the lighting in "Eyes Wide Shut" comes from the 'pratical' lights (the lights that can be seen in the shot and are meant to be the source of light within the fiction of the story). Kubrick's style can best be described as 'simulated natural lighting' because it looks closer to the way lighting looks in real life as opposed to movies, but is still artificial. For example, the scene with the man in the red cloak and gold mask is lit by a 'pratical' spotlight from high above that one could describe as existing within the fiction of the movie, but the darker shadow areas were lit to some extent by a diffuse fill light that is not motivated by any source within the scene, perhaps a 'china ball' or helium ballon fixture off screen. Kubrick occasionally departs from this naturalistic strategy into overt, unrealistic expressionism such as the intensly saturated blue light that flood the bathroom of the Harfords when they are arguing or the same blue light coming in through the windows of Ziegler's billard room. The film negative was 'pushed' in processing to increase the speed of the film, thus allowing for the use of natural lighting. "Eyes Wide Shut" made extensive use of Christmas lights (the story is set in the Christmas season). The colours red, blue, yellow and green feature predominantly in the film. This is enhanced by the use of Christmas decorations. It is often suggested that the colour scheme is an important symbolic schemata. This theory has weight, considering the four 'modern art' posters in the hospital hallway which individually consist of these colours (suggesting a consonance of location and symbolic meaning) and Kubrick's reputation as a master of detail. More simply it may suggest the primal or basic nature of the thematic content. Shop-fronts and street signs also express a quasi-semiotic meaning in that they convey information to an observant audience that the characters are unaware of. For example, before Bill enters the prostitute's apartment building, they stop at a store with the sign 'The Lotto Shop', perhaps indicating that he is gambling with his health.

Narrative structure

The story follows a dramatic structure of leaving the familiar world, entering situations that are in some way an otherworld, and returning to the familiar world. In the third part of the movie, Bill revisits the scenes of the adventures he had the night before. This is reminiscent of the structure Kubrick used in A Clockwork Orange, in which the character Alex revisits each of the locations at which he performed violent acts in the first part of that movie. Each location of Dr. Bill's unactualized sexuality is stripped of sexual mystique.

Critical response

Critics objected chiefly to two features of the film. First, the movie's pacing is slow. While this may have been intended to convey the nature of dreaming, critics objected that it simply made actions and decisions laborious. Second, reviewers commented on the fact that Kubrick had shot his New York City scenes in a studio and that New York didn't "look like New York."

Lee Siegel, writing in Harper's, felt that most critics responded mainly to the marketing campaign and were unable to address the film on its own terms.

American censorship controversy

Citing contractual obligations to deliver an R-rating, Warner Brothers digitally altered the orgy scene for the American release of Eyes Wide Shut, blocking out images of explicit sexuality. This alteration of Kubrick's vision antagonized many cinephiles, as they argued that Kubrick had never been shy about ratings: A Clockwork Orange had an X-rating.

A scene with a young Leelee Sobieski in underwear is sometimes removed.

The British Board of Film Classification allowed Eyes Wide Shut to be released to British cinemas without the need for the digital alterations seen in US cinemas. The film was rated 18, viewable only by those aged 18 and over.

Music

• The film's title music is "Waltz 2" from Shostakovich's Suite for Variety Stage Orchestra, for years misidentified as the composer's Jazz Suite 2, recorded and released under the latter, incorrect, name by the Royal Concertgebouw Orchestra.
• In the scene with the strange ritual, the incantations heard in the background are actually Christian prayers sung in Romanian, played in reverse.
• One of the recurring pieces of music in the film is the eerie second movement of György Ligeti's piano cycle "Musica Ricercata". The piece is unusual in that it uses only three notes (plus octave displacements), in addition to the unyielding performance indication of Mesto, rigido e cerimoniale. The choice of Ligeti is interesting because Kubrick used Ligeti's Atmospheres in his film 2001: A Space Odyssey without obtaining Ligeti's consent, much to the composer's dismay.

Trivia

• Christiane Kubrick, Stanley's wife, had an uncredited guest role as a woman sitting behind Dr. Harford at Café Sonata.
• Kubrick considered casting Steve Martin in the role of Dr William Hartford, eventually given to Tom Cruise.
• During the long shooting schedule, actors Harvey Keitel and Jennifer Jason Leigh dropped out, and were replaced by Sydney Pollack and Marie Richardson, respectively.
• Director Stanley Kubrick died just four days after presenting Warner Bros. with what was reported to be a final cut of the film.

External links

• Official Website at Warner Bros.
• Eyes Wide Shut at the Internet Movie Database
• Introducing Sociology: a review of Eyes Wide Shut by Tim Kreider

de:Eyes Wide Shut es:Eyes Wide Shut fr:Eyes Wide Shut it:Eyes Wide Shut nl:Eyes Wide Shut ja:アイズ・ワイド・シャット pt:Eyes Wide Shut fi:Eyes Wide Shut sv:Eyes Wide Shut