Fach

The German Fach (pl. Fächer) system is a method of classifying singers, primarily opera singers, by the range, weight, and color of their voices. It is primarily used in Europe, especially in German-speaking countries and in repertory opera houses.

The Fach system is a convenience for singers and opera houses. A singer who is identified as being of a certain Fach will usually be asked to sing only roles that belong to that Fach. This prevents a singer from being asked to sing roles which he or she is incapable of performing. Opera houses keep lists of available singers by Fach so that when they are casting roles for an upcoming production, they do not inadvertently contact performers who would be inappropriate for the part.

Below is a list of Fächer, their ranges as written on sheet music, and their common roles. When two names for the Fach are given, the first is in more common use today. Where possible, an English equivalent of each Fach is listed, however not all Fächer have ready English equivalents. Note that some roles can be sung by more than one Fach.

Todo: List of roles and English equivalents

Contents

Coloratura Fächer

Koloratursopran / Koloratur Soubrette

Dramatische Koloratursopran

Soprano Fächer

Deutsche Soubrette

  • English equivalent: Soubrette
  • Range: From middle C to the C two octaves above middle C
  • Description: a light, pretty voice
  • Roles: Susanna in Le Nozze di Figaro

Lyrischer Sopran

  • English equivalent: Lyric soprano
  • Range: From middle C to the C two octaves above middle C
  • Description: a more supple-sounding soprano, capable of legato, portamento, and some agility; generally has a more soulful and sensuous quality than a soubrette who tend to be largely flirtatious and somewhat tweety.
  • Roles: Mimi in La Bohème, Micaela in Carmen

Jugendlich Dramatischer Sopran

  • English equivalent: Light dramatic soprano
  • Range: From middle C to the C two octaves above middle C
  • Description: The Italian version of this fach is the spinto, which literally means pushed. Thus, a light dramatic soprano must generally push her basically lyric instrument to create big sounds that can cut through an orchestral and/or choral climax. Some have called this fach basically a graveyard for lyrics.
  • Roles: Tosca, Madama Butterfly, Manon Lescaut, Elizabeth de Valois in Don Carlo

Charaktersopran

  • English equivalent: Comic soprano
  • Range: From the B below middle C to the C two octaves above middle C
  • Description:
  • Roles:

Dramatischersopran

Hochdramatischersopran

  • English equivalent: Wagnerian soprano
  • Range: From the F below middle C to the C two octaves above middle C
  • Description: A voice so loud and booming it will startle and excite but rarely soothe. They tend to have large, voluminous middle voices with shrill, sometimes thin top notes. A few exceptions with penetrating top notes are Birgit Nilsson and the late Bulgarian diva, Ghena Dimitrova, who never actually sang Wagner, but whom I suspect would have had little difficulty negotiating Isolde and Elektra after roles like Turandot and Abigaille.
  • Roles:

Mezzo-soprano Fächer

Lyrischer Mezzosopran / Spielalt

  • English equivalent: Lyric mezzo-soprano
  • Range: From the G below middle C to the B above middle C
  • Description: a lyric soprano's instrument in a lower range; the resulting sound is less piercing, more lachrymose and kind of sensitive
  • Roles: Oktavian in Der Rosenkavalier, Cherubino + most of the roles (Mignon, Cendrillon, Charlotte, Dido) for which Frederica Von Stade and Dame Janet Baker are famous.

Dramatischer Mezzosopran

  • English equivalent: Dramatic mezzo-soprano
  • Range: From the G below middle C to the B above middle C
  • Description:
  • Roles:

Dramatischer Alt

  • English equivalent: Contralto
  • Range: From the G below middle C to the B above middle C
  • Description:
  • Roles:

Tiefer Alt

  • English equivalent: Contralto
  • Range: From the F below middle C to the A above middle C
  • Description:
  • Roles:

Tenor Fächer

Spieltenor

  • English equivalent: (Lyric) comic tenor
  • Range: From low C to the B an octave above middle C (C to b')
  • Description:
  • Roles: Monastatos (Die Zauberflote)

Characktertenor

  • English equivalent: (Dramatic) comic tenor
  • Range: From the B below low C to the C an octave above middle C (C to c')
  • Description:
  • Roles: Pedrillo (Die Entfuhrung)

Lyrischertenor

  • English equivalent: Lyric tenor
  • Range: From low C to the C an octave above middle C (C to c')
  • Description:
  • Roles: Alfredo (La Traviata)

Jugendlicher Heldentenor

Heldentenor / Tenorbariton

  • English equivalent: Full dramatic tenor
  • Range: From the B below low C to the B above middle C (B to b')
  • Description:
  • Roles:

Baritone Fächer

Lyrischer Bariton / Lyric Baritone

Charakterbariton

Cavalierbariton / Dramatic Baritone

Heldenbariton / Hoherbass

  • English equivalent: Dramatic or heroic baritone
  • Range: From the G below low C to the F# above middle C (G to f#')
  • Description:
  • Roles:

Bass Fächer

Spielbaß / Baßbuffo

  • English equivalent: (Lyric) comic bass
  • Range: From the E one-and-a-half octaves below middle C to the F above middle C (C to f')
  • Description:
  • Roles:

Schwerer Spielbaß

  • English equivalent: (Dramatic) comic bass
  • Range: From the C two octaves below middle C to the F above middle C (C to f')
  • Description:
  • Roles:

Charakterbaß / Baßbariton

  • English equivalent: Bass-baritone
  • Range: From the E one-and-a-half octaves below middle C to the F above middle C (C to f')
  • Description:
  • Roles:

Hoherbaß

Serioserbaß / Schwarzerbaß

  • English equivalent: Dramatic bass
  • Range: From the C two octaves below middle C to the F above middle C (C to f')
  • Description:
  • Roles:
  • Singers:
    • Feodor Chaliapin
    • Boris Christoff
    • Nicolai Ghiaurov
    • Aage Haugland
    • Kurt Moll
    • Ezio Pinza
    • Matti Salminen
    • Cesare Siepi
    • Hans Sotin
    • Marti Talvela

External links