History of the camera

This article deals with the history of the camera.

Contents

Origins of the camera

The first permanent photograph was made in 1826 by Joseph Nicéphore Niépce using a sliding wooden box camera made by Charles and Vincent Chevalier in Paris. However, while this was the birth of photography, the camera itself can be traced back much further. Photographic cameras were a development of the camera obscura, a device dating back at least to the 11th century which uses a pinhole or lens to project an image of the scene outside onto a viewing surface. Before the invention of photography, there was no way to preserve the images produced by these cameras apart from manually tracing them. The first camera that was small and portable enough to be practical for photography was built by Johann Zahn in 1685, though it would be almost 150 years before technology caught up to the point where this was possible.

Daguerreotypes and calotypes

Jacques Daguerre invented the first practical photographic method, which he named the daguerreotype, in 1835. William Talbot perfected a different process, the calotype, in 1840. Both used cameras that were little different from Zahn's model, with a sensitized plate or sheet of paper placed in front of the viewing screen to record the image. Focusing was generally via sliding boxes.

Wet plates

The development of the collodion wet plate process by Frederick Scott Archer in 1850 cut exposure times dramatically, but required photographers to prepare and develop their glass plates on the spot, usually in a mobile darkroom. Despite their complexity, the wet-plate ambrotype and tintype processes were in widespread use in the latter half of the 19th century. Wet plate cameras were little different from previous designs, though there were some models (such as the sophisticated Dubroni of 1864) where the sensitizing and developing of the plates could be carried out inside the camera itself rather than in a separate darkroom. Other cameras were fitted with multiple lenses for making making cartes de visite. It was during the wet plate era that the use of bellows for focusing became widespread.

Dry plates

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19th century studio camera

Collodion dry plates had been available use since 1855, but it was not until the invention of the gelatine dry plate in 1871 by Richard Leach Maddox that they rivaled wet plates in speed and quality. The advantages of the dry plate were obvious: photographers could use commercial dry plates off the shelf instead of having to prepare their own emulsions in a mobile darkroom. Also, for the first time, cameras could be made small enough to be hand-held, or even concealed. There was a proliferation of various designs, from single- and twin-lens reflexes to large and bulky field cameras, handheld cameras, and even cameras disguised as pocket watches, hats, or other objects.

The shortened exposure times that made candid photography possible also necessitated another innovation, the mechanical shutter. The first shutters were separate accessories, though built-in shutters were common by the turn of the century.

Kodak and the birth of film

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Kodak No. 2 Brownie box camera, circa 1910

The use of photographic film was pioneered by George Eastman, who started manufacturing paper film in 1885 before switching to celluloid in 1889. His first camera, which he called the "Kodak," was first offered for sale in 1888. It was a very simple box camera with a fixed-focus lens and single shutter speed, which along with its relatively low price appealed to the average consumer. The Kodak came pre-loaded with enough film for 100 exposures and needed to be sent back to the factory for processing and reloading when the roll was finished. By the end of the 19th century Eastman had expanded his lineup to several models including both box and folding cameras.

In 1900 Eastman took mass-market photography one step further with the Brownie, a simple and very inexpensive box camera that introduced the concept of the snapshot. The Brownie was extremely popular and various models remained on sale until the 1960s.

Despite the advances in low-cost photography made possible by Eastman, plate cameras still offered higher-quality prints and remained popular well into the 20th century. To compete with rollfilm cameras, which offered a larger number of exposures per loading, many inexpensive plate cameras from this era were equipped with magazines to hold several plates at once. Special backs for plate cameras allowing them to use film packs or rollfilm were also available, as were backs that enabled rollfilm cameras to use plates.

References

  • Wade, John, A Short History of the Camera. Watford: Fountain Press, 1979. ISBN 0852426402