Tenor
- This article is about Tenor in music. For other meanings see Tenor (disambiguation).
| Vocal ranges |
| Female ranges
Male ranges |
In music, a tenor is a male singer with a high voice (although not as high as a countertenor). In four part chorale-style harmony, it is the second lowest voice, above the bass and below the soprano and alto. A typical tenor will have a range extending roughly from the C an octave below middle C to the C above middle C (i.e. C3-C5). In a mixed-gender choir, females may also sing as tenors. Unlike its female counterpart, the soprano, tenors are frequently required to execute the Tenor C, C5, on demand in order to be considered a true tenor.
Generally the tenor roles are parallel to the soprano roles, in that they are usually the most sympathetic male roles; they play the hero, the lover... but there are the occasional villains (the Duke of Mantua in Rigoletto; Lt. Pinkerton and Goro in Madame Butterfly)
Contents |
Types
In opera, distinctions are made between different types of tenor:
- Tenore drammatico, di forza or robusto: a powerful, rich, heroic tenor (Verdi's Otello)
- Heldentenor: the German equivalent of the tenore drammatico, however with a more baritonal quality; the typical Wagnerian protagonist (Lohengrin, Siegfried, Siegmund, Parsifal)
- Tenore leggero: a light, flexible tenor, specializing in the Mozartean repertoire, but also in the operas of Rossini, Donizetti and Bellini, and sometimes specializing in Baroque repertoire or in comical roles
- Tenore Buffo: a relatively weak voice with certain limitations, with a timbre that is not entirely appealing. Specializes in comic roles such as Don Basilio in Mozart's "Le Nozze Di Figaro" or Monostatos in Mozart's "Die Zauberflote"
- Tenore lirico or di grazia: a lightweight, graceful, lyric tenor (the Duke of Mantua in Rigoletto; Rodolfo in La Boheme)
- Tenore (lirico) spinto: a lyric tenor with more "punch", therefore able to play more heroic roles (Radamès in Aida)
- Trial: a high, thin, nasal tenor, used for character roles. Named after Antoine Trial (1736-1792), a singer at the Opéra Comique. (Bénoit in La Boheme)
- Baritenor, a lyric dark tenor, or one with a strong baritonic lower register, but tops out only a A or B above middle C.
Origin of the term
The name "tenor" comes from the Latin word tenere, which means "to hold". In medieval music, the tenor voice was always assigned the cantus firmus, the main melody. The other voices added harmony and counterpoint to the tenor.
Other uses
In the Barbershop harmony musical style, the name "tenor" is used for the highest part. The four parts are known (lowest to highest) as bass, baritone, lead, and tenor. The tenor generally sings in falsetto voice (thus the term tenor used in barbershop terminology most closely corresponds to the term countertenor as used in classical music), and harmonizes above the lead, who sings the melody. The barbershop tenor range is, as notated, Bb-below-middle C to D-above-high-C (and sung an octave lower).
It is often applied to instruments to indicate their range in relation to other instruments of the same group. For instance the tenor saxophone.
Famous tenors
Classical music
Many of the most famous opera singers have been tenors, such as:
- Roberto Alagna
- Mario Ancona
- Luigi Alva
- Carlo Bergonzi
- Andrea Bocelli
- Jussi Björling
- Charles Bressler
- José Carreras
- Enrico Caruso
- Franco Corelli
- José Cura
- Alfredo Kraus
- Mario del Monaco
- Giuseppe Di Stefano
- Plácido Domingo
- Nicolai Gedda
- Beniamino Gigli
- Ernst Haefliger
- Mario Lanza
- Richard Leech
- Lauritz Melchior
- Antonio Paolí
- Luciano Pavarotti
- Helge Rosvaenge
- Tito Schipa
- Jon Vickers
- Wolfgang Windgassen
- Fritz Wunderlich
There have also been some tenors who have been well known for other types of music, who have concentrated on concert performances either with orchestras, or in chamber music, such as lieder or song recitals. These performers may be better known for this kind of work than for opera. Famous tenors of this repertory include
- John Mark Ainsley
- Ian Bostridge
- John Heddle-Nash
- Richard Lewis
- John McCormack
- Peter Pears
- Christoph Prégardien
- Peter Schreier
- Richard Tauber
- Robert Tear
- Alexander Young
Popular and crossover music
NOTE: In most cases, it is not possible to find a reputable source for the vocal range of pop singers. It seems most names were listed here on an empirical basis. It must be noted that in the pop world, the vocal range of a singer is often artificially enhanced.
- Andrea Bocelli - also a mainstream tenor
- Bono
- Jack Bruce
- Jeff Buckley
- Urs Buhler
- Norbert Leo Butz
- Phil Collins
- Jamie Cullum
- Micky Dolenz
- Anthony Fedorov
- Mario Frangoulis
- David Habbin
- Haddaway
- George Harrison
- Tom Hulce
- Sebastien Izambard
- Michael Jackson
- Constantine Maroulis
- Mario Lanza - also a mainstream tenor
- Chris Martin
- Paul McCartney
- George Michael
- David Miller
- Luciano Pavarotti - also a mainstream tenor
- Donny Osmond
- Adam Pascal
- Mandy Patinkin
- Seal
- Steve Perry
- Robert Plant
- Alessandro Safina
- Geoff Sewell
- Neil Tennant
- Justin Timberlake
- John Travolta
- Usher
- Russell Watson
- Steve Tyler
- "Weird Al" Yankovic
See also
es:Tenor fr:Ténor ko:테너 it:Tenore hu:Tenor nl:Tenor (zangstem) ja:テノール pl:Tenor pt:Tenor fi:Tenori sv:Tenor zh:男高音